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Ákos Ezer - ...and the livin' is easy

Einspach & Czapolai Fine Art is pleased to present the latest solo exhibition by Ákos Ezer, titled …and the livin’ is easy, at the gallery.

Summer holds the promise of ease: a sense of freedom, lightness, and the loosening of everyday constraints—or at the very least, an internal vision shaped by these longed-for ideals. Yet Ákos Ezer’s latest paintings do not aim to depict this desired idyll. The exhibition’s title—borrowed from Gershwin’s classic Summertime—takes on an ironic edge in the context of these works, where the figures repeatedly stumble through scenes that should evoke tranquility and contentment.

Ezer’s paintings do not recount heroic tales. The figures that populate his compositions are ordinary people, caught in seemingly simple situations—yet every movement pulses with tension. They appear to lose control over their own bodies, gestures, or surroundings, even as they strive to maintain it. This paradox echoes the “ironic process theory” from psychology (Daniel Wegner), which suggests that the more we try to suppress certain thoughts, the more persistently they return. Through this lens, Ezer’s new works visualise hidden mental mechanisms—uncomfortable memories, suppressed emotions, and underlying anxieties—surfacing in the vulnerability of his characters, the distortion of their gestures, and the fractured rhythm of their narratives.

The atmosphere of the paintings oscillates between lightness and unease. Fragmented storylines conjure up familiar, banal summer mishaps—cars breaking down, sudden hailstorms, botched holidays—those very things that shouldn’t happen, yet somehow always do. The fate of Ezer’s characters is not tragic but gently grotesque: as if guided by an inner irony where cheerfulness and failure go hand in hand.

In Ezer’s work, the subtle distortions of everyday situations, the unnatural quality of movement, and the visual articulation of psychological tension all combine to form a world that is both intimate and absurd. His scenes not only suggest stories, but also reveal—through painterly means—the inner dynamics of repression, repetition, and mental states. …and the livin’ is easy speaks not only of the memories of summer but of the paradoxical cycles of expectation and disappointment that so often accompany them.

 

//Mónika Zsikla//

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