"On his pictures not only the style's external signs and the brush's writing-like, dynamic movement provides this calligraphy, but literally the writing itself since the factures of the pictures become rich and passionate by the text fragments layered on each other, and the game of the cursive letters' mass. Krisztián Frey has no Hungarian predecessors because next to his passionate and eruptive calligraphy, Dezső Korniss' pictures are rather the specimens of concerted decorativeness and immaculate taste."

by Géza Perneczky, 1969